The Full Frame - increasing disability representation in front of and behind the camera.

We’ve joined forces with Bus Stop Films to make disability inclusion in casting and crewing roles a seamless process.

Brands can now request one proposal that supports disability inclusion in casting and crewing, using the power of Shift 20 Casting Call and Bus Stop Employment’s national crewing roster. All while supported by two award-winning non-profit organisations throughout the process.

If you’d like your production to look at disability inclusion through The Full Frame, contact priya@dylanalcottfoundation.com.au

FAQs

Why does The Full Frame exist?
- Nearly 20% of Australians have disability of some kind, yet less than 3% are represented in advertising campaigns, with representation even lower behind the camera. The Full Frame brings together the expertise of Shift 20 and Bus Stop Films to create opportunities for people with disability in casting and crewing roles.
Who operates The Full Frame?
- The Shift 20 Initiative, part of the Dylan Alcott Foundation, and Bus Stop Films have joined forces to run The Full Frame. This means you get the expertise of two award-winning non-profits behind any production that utilises The Full Frame.
How much does The Full Frame cost?
- The Full Frame’s costs vary depending on size of production, talent required, and production budget. Reach out to us for a tailored proposal for your production.
Can I just request casting support?
- If you’d just like casting support, we recommend utilising Shift 20 Casting Call.
Can I just request crewing support?
- If you’d just like crewing support, we recommend utilising Bus Stop Employment.

The Full Frame - increasing disability representation in front of and behind the camera.

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